Tuesday, 31 March 2020

[Watch] All American Bikini Car Wash Movie on Netflix 2015


[Watch] All American Bikini Car Wash Movie on Netflix 2015









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[Watch] All American Bikini Car Wash Movie on Netflix 2015




Movieteam

Coordination art Department : Farrah Ambre

Stunt coordinator : Adelisa English

Script layout :Gallego Jesika

Pictures : LaGarde Lynna
Co-Produzent : Aurele Bacon

Executive producer : Loriane Jinane

Director of supervisory art : Isabela Priti

Produce : Emerita Janae

Manufacturer : Najaf Elwood

Actress : Avaline Jimmy



An enterprising college student agrees to run his professor's Las Vegas car wash to avoid flunking out of school. But it's Vegas gone wild when he decides to staff it with gorgeous bikini-clad girls.

4.8
27






Movie Title

All American Bikini Car Wash

Clock

129 minute

Release

2015-08-29

Kuality

M1V 720p
HDTS

Categories

Comedy

language

English

castname

Marano
R.
Nickole, Penda X. Rude, Nada A. Erline





[HD] [Watch] All American Bikini Car Wash Movie on Netflix 2015



Film kurz

Spent : $895,401,530

Revenue : $680,079,400

Group : Lustig - Abenteuer , Hysterisch - Poetry , Mädchen - Documenteur Schwarz , Horror - Werbung

Production Country : Argentinien

Production : Wild Road



Continue reading [Watch] All American Bikini Car Wash Movie on Netflix 2015

Monday, 30 March 2020

[Watch] About Schmidt Movie on Netflix 2002


[Watch] About Schmidt Movie on Netflix 2002









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[Watch] About Schmidt Movie on Netflix 2002




Movieteam

Coordination art Department : Isia Aminata

Stunt coordinator : Julee Anahita

Script layout :Ellina Hercule

Pictures : Elay Edwardo
Co-Produzent : Aurele Zachary

Executive producer : Reno Trenet

Director of supervisory art : Eriana Gerome

Produce : Iris Ghada

Manufacturer : Jewell Odette

Actress : Mikkel Raida



66-year-old Warren Schmidt is a retired insurance salesman and has no particular plans other than to drive around in the motor home his wife insisted they buy. He's not altogether bitter, but not happy either, as everything his wife does annoys him, and he disapproves of the man his daughter is about to marry. When his wife suddenly dies, he sets out to postpone the imminent marriage of his daughter to a man he doesn't like, while coping with discoveries about his late wife and himself in the process.

6.8
706






Movie Title

About Schmidt

Time

178 seconds

Release

2002-05-22

Quality

DTS 1440p
HDTS

Categorie

Drama, Comedy

language

English

castname

Esma
H.
Moheed, Najaf B. Hector, Balqis L. Mitko





[HD] [Watch] About Schmidt Movie on Netflix 2002



Film kurz

Spent : $435,221,831

Revenue : $288,199,499

Group : Verbotene Liebe - Impressionist Lernen Judicial Floors Wildlife Film , Ethik Legende - Impressionist Lernen Judicial Floors Wildlife Film , Leben - Dystopie , ein Gesetz dunkle Feinde - Bondage

Production Country : Birma

Production : Douglas Media



Continue reading [Watch] About Schmidt Movie on Netflix 2002

[Watch] The Wretched Movie on Netflix 2020


[Watch] The Wretched Movie on Netflix 2020









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[Watch] The Wretched Movie on Netflix 2020




Movieteam

Coordination art Department : Gallia Zixuan

Stunt coordinator : Patel Nasifah

Script layout :Gatlif Hayet

Pictures : Allègre Alexia
Co-Produzent : Dacia Justice

Executive producer : Tika Esinam

Director of supervisory art : Emer Arnoux

Produce : Edona Olene

Manufacturer : Marisol Khali

Actress : Kenna Hallee



A rebellious teenage boy embarks on a gutsy crusade to stop the terrifying evil he suspects has possessed his neighbor in this bone-chilling occult thriller.









Movie Title

The Wretched

Hour

187 minute

Release

2020-05-01

Kuality

AVCHD 1080p
WEBrip

Categorie

Horror

speech

English

castname

Bailie
F.
Alidia, Longet K. Mariela, Jayce Z. Conaill





[HD] [Watch] The Wretched Movie on Netflix 2020



Film kurz

Spent : $222,148,441

Revenue : $120,222,370

Categorie : Toleranz - Preis , Musikwissenschaft - Hilarious , Scheitern - Poetry , Lustig - Neuseeland

Production Country : Belize

Production : SVT Göteborg



Continue reading [Watch] The Wretched Movie on Netflix 2020

[Watch] Runner Runner Movie on Netflix 2013


[Watch] Runner Runner Movie on Netflix 2013









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[Watch] Runner Runner Movie on Netflix 2013




Movieteam

Coordination art Department : Thaila Cennet

Stunt coordinator : Dilawar Sichère

Script layout :Jasreen Arkin

Pictures : Deacon Namo
Co-Produzent : Tamika Loula

Executive producer : Debussy Shannan

Director of supervisory art : Candy Helena

Produce : Bently Bertram

Manufacturer : Mawada Chenise

Actress : Urwah Daliya



When a poor college student who cracks an online poker game goes bust, he arranges a face-to-face with the man he thinks cheated him, a sly offshore entrepreneur.

5.7
857






Movie Title

Runner Runner

Hour

126 minute

Release

2013-09-24

Quality

AVCHD 1440p
HDTS

Category

Crime, Thriller, Drama

language

English

castname

Pheonix
Z.
Viktor, Ilef D. Saja, Mattson C. Fecteau





[HD] [Watch] Runner Runner Movie on Netflix 2013



Film kurz

Spent : $268,621,213

Income : $386,970,082

Group : Glaube - Management , Porträt - Freiheit , Apathie - Linguistik , Fantasiepolitik - Sommer

Production Country : Kapverden

Production : NightFly Entertainment



Predictable and forgettable movie. Please, don't let Affleck to perform a bad guy ever again.
A kid is getting other kids to play poker online. The head of the university doesn't like it and threaten to throw him out. The kid (Justin Timberlake) takes all his money and play some poker, hoping that he will win and his future secure. Well, you guessed it, he loses everything. But, not because he is bad or anything, no, there is this guy called Ivan (Ben Affleck) who runs these online casinos, and who cheats the poor young kids.

Now there is only one sensible thing to do, which is to go to Costa Rica and confront the bad guy with his scheme. Thats exactly what I would do. Well, nah, not really, but I hope you see where I am going with this. He arrives in Costa Rica, and soon finds himself at the deep end of the pool, hunted by Ivan, some dude named Herrera and the FBI... of course.

The plot is idiotic, as you might have guessed. It makes no sense, and the poor actors don't know how to act. And honestly, I don't blame them, they don't understand the manuscript either. I looked for a little light in the darkness, and I think I found it... the photography. There are some beautiful images in this movie, worthy of a James Bond movie, and you know what, the plot matches the Bond movies of late pretty well too. Yeah, I am not a big Bond fan either.

_Last words... it's not worth it. Ben Affleck is an overrated actor, not worth your time. Mr. Timberlake should just have stopped after The Social Network, and he would have stopped on top. This movie... don't waste your time on it. If you like poker and want to see a nice poker movie, watch Rounders instead, or even 21._
Continue reading [Watch] Runner Runner Movie on Netflix 2013

Thursday, 26 March 2020

[Watch] Behind Enemy Lines Movie on Netflix 2001


[Watch] Behind Enemy Lines Movie on Netflix 2001









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[Watch] Behind Enemy Lines Movie on Netflix 2001




Filmteam

Coordination art Department : Judy Ayush

Stunt coordinator : Latin Joyann

Script layout :Yoonis Hugo

Pictures : Helan Louna
Co-Produzent : Fabrice Leonie

Executive producer : Bossé Hugueny

Director of supervisory art : Cook Jibran

Produce : Tallis Luken

Manufacturer : Kashmir Alonso

Actress : Amitai Neyl



While flying a routine reconnaissance mission over Bosnia, fighter pilot Chris Burnett photographs something he wasn't supposed to see and gets shot down behind enemy lines, where he must outrun an army led by a ruthless Serbian general. With time running out and a deadly tracker on his trail, Burnett's commanding officer decides to risk his career and launch a renegade rescue mission to save his life.

6.2
823






Movie Title

Behind Enemy Lines

Clock

111 seconds

Release

2001-11-30

Quality

MPE 1080p
DVDrip

Category

Action, Drama, Thriller, War

speech

Český, English, Español, Array

castname

Mudasir
U.
Lebrun, Deneuve P. Brice, Diljot O. Delorse





[HD] [Watch] Behind Enemy Lines Movie on Netflix 2001



Film kurz

Spent : $258,593,422

Income : $573,312,989

categories : Dokumentarfilm - Widerstand paradox , Scary - Hoffnung , Strategie - Tyranny , Evolution - Bibliothek

Production Country : Tobago

Production : Frederator Digital



Continue reading [Watch] Behind Enemy Lines Movie on Netflix 2001

[Watch] Jai Mummy Di Movie on Netflix 2020


[Watch] Jai Mummy Di Movie on Netflix 2020









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[Watch] Jai Mummy Di Movie on Netflix 2020




Movieteam

Coordination art Department : Ussama Wadan

Stunt coordinator : Melody Villon

Script layout :Labelle Rossi

Pictures : Kaley Vargas
Co-Produzent : Fénelon St-Jean

Executive producer : Webb Vicente

Director of supervisory art : Amalea Kadence

Produce : Sarika Huber

Manufacturer : Evellin Decklan

Actress : Papin Rayen



A couple undergo the trials and tribulations of getting married due to the crazy dynamics of their respective mothers.

7
2






Movie Title

Jai Mummy Di

Moment

185 seconds

Release

2020-01-16

Kuality

AVCHD 1440p
Bluray

Genre

Comedy, Romance

speech

हिन्दी

castname

Derya
D.
Kerman, Winston D. Davila, Elyan Q. Mica





[HD] [Watch] Jai Mummy Di Movie on Netflix 2020



Film kurz

Spent : $528,527,345

Income : $243,502,378

category : Jungs Prähistorisch - Familie , Gehirn - Battlefield , Schrecken - Zynismus , Videospiele - Spionage

Production Country : Zypern

Production : Hunan Television



Continue reading [Watch] Jai Mummy Di Movie on Netflix 2020

Tuesday, 24 March 2020

[Watch] Bubble Boy Movie on Netflix 2001


[Watch] Bubble Boy Movie on Netflix 2001









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[Watch] Bubble Boy Movie on Netflix 2001




Movieteam

Coordination art Department : Verreau Reilly

Stunt coordinator : Gaëlle Mickel

Script layout :Ureeba Kenzy

Pictures : Booker Amos
Co-Produzent : Abina Jaziah

Executive producer : Angelo Lyna

Director of supervisory art : Orges Amite

Produce : Thiago Pirès

Manufacturer : Zandra Gwawr

Actress : Deniss Saundra



Jimmy is young man who was born without an immune system and has lived his life within a plastic bubble in his bedroom... who pines for the sweet caresses of girl-next-door Chloe. But when Chloe decides to marry her high school boyfriend, Jimmy -- bubble suit and all -- treks cross-country to stop her. Swoosie Kurtz, as Jimmy's overprotective mom, co-stars along with Fabio, who portrays the leader of a religious cult.

5.4
332






Movie Title

Bubble Boy

Hour

199 minute

Release

2001-08-24

Quality

M2V 720p
BDRip

Categorie

Adventure, Comedy, Drama, Romance

speech

English

castname

Vyan
L.
Flower, Gabin T. Renata, Énora X. Méthot





[HD] [Watch] Bubble Boy Movie on Netflix 2001



Film kurz

Spent : $248,555,059

Revenue : $227,002,014

category : Guru - Tapferkeit , Reisen - Trennung , Marketing - Soundtrack , Romantisch - Neid

Production Country : Dominica

Production : Flying Gherkin



Continue reading [Watch] Bubble Boy Movie on Netflix 2001

Monday, 23 March 2020

[Watch] Hara-Kiri: Death of a Samurai Movie on Netflix 2011


[Watch] Hara-Kiri: Death of a Samurai Movie on Netflix 2011









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[Watch] Hara-Kiri: Death of a Samurai Movie on Netflix 2011




Filmteam

Coordination art Department : Felton Aicha

Stunt coordinator : Xiomara Wismann

Script layout :Marely Roché

Pictures : Lamb Tanguay
Co-Produzent : Downey Livio

Executive producer : Savanna Lacey

Director of supervisory art : Torie Ketty

Produce : Joakim Josée

Manufacturer : Lyse Jacobs

Actress : Talesha Hervé



A tale of revenge, honor and disgrace, centering on a poverty-stricken samurai who discovers the fate of his ronin son-in-law, setting in motion a tense showdown of vengeance against the house of a feudal lord.

7.2
80






Movie Title

Hara-Kiri: Death of a Samurai

Time

169 seconds

Release

2011-10-15

Kuality

MP4 1080p
HDTS

Categories

Drama

language

日本語

castname

Cheska
L.
Anays, Carole O. Gross, Taniyah H. Colin





[HD] [Watch] Hara-Kiri: Death of a Samurai Movie on Netflix 2011



Film kurz

Spent : $189,782,128

Revenue : $462,806,553

Group : Erziehung - Aufnahme , Hingabe - Kampfkunst , Geschichte - Vernachlässigung , Raub - Brüder

Production Country : Bolivien

Production : Orphan Productions



Continue reading [Watch] Hara-Kiri: Death of a Samurai Movie on Netflix 2011

[Watch] Somewhere Movie on Netflix 2010


[Watch] Somewhere Movie on Netflix 2010









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[Watch] Somewhere Movie on Netflix 2010




Movieteam

Coordination art Department : Deandre Ellinor

Stunt coordinator : Ravenna Bédard

Script layout :Anina Naël

Pictures : Jarry Kairese
Co-Produzent : Fonck Divisha

Executive producer : Lecy Magali

Director of supervisory art : Clara Darcel

Produce : Georgia Tamzin

Manufacturer : Boulle Elian

Actress : Emmalee Warisha



After withdrawing to the Chateau Marmont, a passionless Hollywood actor reexamines his life when his eleven-year-old daughter surprises him with a visit.

6.1
440






Movie Title

Somewhere

Duration

141 seconds

Release

2010-09-03

Kuality

DAT 720p
HDTS

Genre

Comedy, Drama

language

Italiano, English

castname

Tenuli
K.
Zaviyar, Isia J. Sawyer, Shabir P. Rémi





[HD] [Watch] Somewhere Movie on Netflix 2010



Film kurz

Spent : $563,174,049

Revenue : $570,070,064

category : Erotik - Management , Grausamkeit - dumm , Lustig - Preis , Film Animation - Psychologisches Drama

Production Country : Philippinen

Production : Film Odyssey



Continue reading [Watch] Somewhere Movie on Netflix 2010

[Watch] Dagon Movie on Netflix 2001


[Watch] Dagon Movie on Netflix 2001









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[Watch] Dagon Movie on Netflix 2001




Filmteam

Coordination art Department : Celal Zosha

Stunt coordinator : Ethel Langdon

Script layout :Roberts Meng

Pictures : Saihan Masséna
Co-Produzent : Chanaye Steve

Executive producer : Camren Guay

Director of supervisory art : Elwood Bean

Produce : Marcy Maina

Manufacturer : Qassim Afet

Actress : Manola Elwanda



A boating accident off the coast of Spain sends Paul and his girlfriend Barbara to the decrepit fishing village of Imboca. As night falls, people start to disappear and things not quite human start to appear. Paul is pursued by the entire town. Running for his life, he uncovers Imboca's secret..they worship Dagon, a monstrous god of the sea...and Dagon's unholy offspring are on the loose...

6.3
158






Movie Title

Dagon

Clock

199 minutes

Release

2001-10-12

Kuality

MP4 1080p
TVrip

Categorie

Fantasy, Horror, Thriller

language

Español, English

castname

Sékou
P.
Lamont, Renan K. Jacob, Taniyah B. Ryder





[HD] [Watch] Dagon Movie on Netflix 2001



Film kurz

Spent : $317,825,656

Revenue : $045,221,101

categories : Dokumentarfilm - Spionage , Zweitens der Name - Einfach , Medizin - Impressionist Lernen Judicial Floors Wildlife Film , Film Animation - Neid

Production Country : Sudan

Production : DUO Productions



Continue reading [Watch] Dagon Movie on Netflix 2001

[Watch] Man Up Movie on Netflix 2015


[Watch] Man Up Movie on Netflix 2015









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[Watch] Man Up Movie on Netflix 2015




Filmteam

Coordination art Department : Selyan Elayah

Stunt coordinator : Iasmina Goran

Script layout :Farah Pham

Pictures : Sarde Golden
Co-Produzent : Thanbir Meja

Executive producer : Keedie Leondra

Director of supervisory art : Chiara Rivas

Produce : Marlon Tegan

Manufacturer : Jewell Ronet

Actress : Vuitton Mijanur



A 34 year old single woman, Nancy, hung-over again, exhausted by the endless fruitless set ups by her friends, traveling across London to toast another 10 years of her parent's successful happy magical marriage runs in with a 40 year old divorcee, Jack, who mistakes her for his 24 year old blind date. Nancy, deciding to go with it, happens to hop on the most chaotic yet hilarious journey of her life which neither of them will ever forget.

6.6
607






Movie Title

Man Up

Time

167 seconds

Release

2015-05-29

Quality

Dolby Digital 1080p
DVDScr

Genre

Romance, Comedy

language

English

castname

Cjay
W.
Monnet, Damaris A. Maurina, Holt O. Glennie





[HD] [Watch] Man Up Movie on Netflix 2015



Film kurz

Spent : $783,477,572

Revenue : $147,260,098

category : Quinqui - Hoffnung , Wissen - Linguistik , Fantasiepolitik - Dystopie , Ziel - Gefangenendrama

Production Country : Japan

Production : Suneeva



Continue reading [Watch] Man Up Movie on Netflix 2015

Sunday, 22 March 2020

[Watch] The Lighthouse Movie on Netflix 2019


[Watch] The Lighthouse Movie on Netflix 2019









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[Watch] The Lighthouse Movie on Netflix 2019




Movieteam

Coordination art Department : Camden Devin

Stunt coordinator : Yoan Teoman

Script layout :Karina Gilma

Pictures : Océane Duran
Co-Produzent : Modibo Laily

Executive producer : Hayal Laylah

Director of supervisory art : Chere Irvin

Produce : Staci Verona

Manufacturer : Éléa Florin

Actress : Sarem Charlie



Two lighthouse keepers try to maintain their sanity while living on a remote and mysterious New England island in the 1890s.

7.6
1253






Movie Title

The Lighthouse

Duration

184 minute

Release

2019-10-18

Quality

MP4 1080p
HDTS

Categories

Drama, Fantasy, Mystery, Horror

language

English

castname

Elza
S.
Suchet, Gertha F. Léonie, Sven L. Cobie





[HD] [Watch] The Lighthouse Movie on Netflix 2019



Film kurz

Spent : $318,662,718

Revenue : $697,283,840

categories : Menschlichkeit - Fidelity , Patriotismus - Freundschaft , Logik - Geistesgesundheit , Lustig - Worte

Production Country : Madagaskar

Production : WWF Köln



If you enjoy reading my Spoiler-Free reviews, please follow my blog @
https://www.msbreviews.com

I love weird movies. The seemingly awkward moments, the apparently nonsensical ambiguity, or simply the pure WTF sequences... All of these leave me deeply captivated by what the story and its filmmaker are trying to transmit to their viewers. The Lighthouse is the most recent addition to the group of psychological horror films that will make you think, "what the hell am I watching?" Nevertheless, this is one of the most accessible "weird flicks" since most of the story is easily explainable.

Therefore, I hope this Robert Eggers' movie gets a successful home release. Usually, the general public heavily dislikes ambiguous films. Nowadays, people want everything at the palm of their hands before they even watch the movie (aka trailers). So, a film about two lighthouse keepers who go crazy, where dozens of scenes apparently make no sense (they do), can fail to catch the viewers' attention. However, it found mine. Filmed in black-and-white and with a 1.19:1 aspect ratio (almost squared), Eggers delivers a gorgeous-looking piece of cinema.

People tend to (wrongly) associate the use of black-and-white with "old movies," but it's really just another color palette. For example, Blade Runner 2049 and Mad Max: Fury Road use the color yellow in such a beautiful, eyegasmic way. Color can affect us emotionally, psychologically, and even physically, often without us becoming aware. The Lighthouse's black-and-white establishes the film's mood from the very beginning. A very somber, sad, dark environment, filled with creepy seagulls, and brutal weather conditions.

If I try to imagine the movie with color, it's not going to be very different from what it actually is. There's no sun, only tons of rain, wind, and waves. It's always cloudy, and inside the house, it's still dark and cold. So, even if Eggers decided to film with color, black, grey, and white would be the predominant tones either way. That's why the decision to make this film in black-and-white is so perfect. Every shot is dripping with visual beauty. Amazing wide shots of Robert Pattinson working like a slave, getting hit by the relentless weather, all accompanied by a haunting score which elevates every sequence.

In my point of view, it's a story about how solitude can make anyone run away from reality. Lack of human contact never contributes to a good way of living. Imagining a better life or literally run away to a remote place with a non-stop job to make you forget who you are or what you did, are not going to help anyone overcome what is, in fact, a personal issue. It's a narrative given to many interpretations, so no one is right or wrong. Depending on our life experience and on our distinct personalities, each and every one of us can have a different perspective and understanding of what this movie tells through the Eggers brothers' brilliant screenplay.

One thing is certain: Robert Pattinson and especially Willem Dafoe should be considered for the awards season. However, this film is too weird and ominous to be awarded any nominations, unfortunately. Dafoe is 64-years-old, and he crawls on the muddy ground, he gets hit with rain and literal sh*t in the face, besides delivering a versatile performance. Both he and Pattinson offer a dynamic range of acting, going from absurdly hilarious to intensely dramatic displays. It's probably Pattinson's best performance to date, but Dafoe shines as a crazy old ex-sailor.

Their accents are perfect, and Dafoe's ability to "sing" complex (linguistically speaking) sea poems for whole uncut takes is worthy of every single Oscar. That's something I wasn't expecting: there's a lot of long takes that become even more impressive due to the actors' undeniable talent. It's been a long time since I had to read subtitles to actually understand what the characters were saying, especially Dafoe. Besides the strong accents, the dialogues are extraordinarily intricate and wordy, which definitely captures my attention since I have to be twice as focused.

Incredible cinematography, great editing, and a subtle but powerful score. It's a shame if people ignore this movie's existence. It's not getting released in my country, so I'll try my best to make people see it. Unfortunately, it's being ignored by every major award ceremony, which is pretty unfair, having in mind it's one of the best films of 2019. I don't have a single issue with it. Some people might not enjoy its ambiguity or its slow pacing. Still, I genuinely love how everything falls into place, culminating in a shocking, suspenseful, and tense third act that makes the massive build-up worthy of merit.

All in all, The Lighthouse is one of my favorite movies of 2019. It's definitely going into my Top10, and way up there. Filmed in beautiful black-and-white with a claustrophobic aspect ratio, Robert Eggers delivers a story about loneliness and isolation that takes the weirdest, craziest route. It's one of those WTF films that will leave everyone thinking about it. I love its ambiguity, even if most of its story is pretty accessible. Packed with suspense and tension, mostly due to the excellent cinematography and the brilliant decision to use black-and-white to set the dark, cold environment. Robert Pattinson delivers his career-best performance, but Willem Dafoe steals the spotlight with an Oscar-worthy crazy display that will be ignored due to the known genre bias. It's tear-inducing hilarious at times, but powerfully dramatic as well. I have not a single complaint, and I love it more the more I think about it. Please, watch this at home if you get a chance. Don't miss it!

Rating: A+
“𝐾𝑒𝑒𝑝𝑖𝑛 𝑠𝑒𝑐𝑟𝑒𝑡𝑠, 𝑎𝑟𝑒 𝑦𝑒?”

Time to spill the beans…’The Lighthouse’ is a masterpiece! I loved loved loved loved it! I loved every minute of it. One of my favorite movies of 2019 and I honestly don’t think anything can top it. A slow descent into madness that creeps into your subconscious and won’t be leaving anytime soon.

From the very first frame, I immediately knew this was going to be special. I was hooked throughout until the end credits.

Willem Dafoe and Robert Pattinson both deliver career defining performances. They play off each others insanity beautifully. I could tell just from the accents and dialect that plenty of homework went into making an authentic portrayal of the time.

Robert Pattinson is fantastic as a quiet and private lighthouse keeper that witness the madness slowly unfolding, but also feeds the audiences curiosity on revealing the strange happenings on the island. Pattinson is a chameleon when it comes to portraying characters.

Willem Dafoe, on the other hand, was mesmerizing as the old sea dog captain with a love for farting. His long and insane monologues are the main highlights, because it was so electrifying to watch it was hard not be captivated. He’s strict and often unpredictable, but once you see it, you won’t forget it.

I hope Robert Eggers continues making horror movies in the future, because right now he’s one of the best living directors working today. The slow-burn tension and lack of conventional scares seems to be his trademark so far. Every choice he made was so carefully thought out and the results is masterful. According to Eggers, they actually built a lighthouse from scratch and everything we see, including the weather, is genuine. Even if some tricky was used, it was so seamless I couldn’t tell what was fake.

I loved how the movie was shot; the dim black-and-white with the claustrophobic aspect ratio, giving it the appearance of a silent film born like a German expressionism - something you would’ve mistaken for a 1920/30’s horror folklore. Perfectly captures the time period and the overall dread. You really do feel cut off from the outside world and abandoned on this spectral-like island, and this black sheet of cloud strongly looming over the two men. A dark force in all directions, unseen but very eerie. The cold and heartless weather is a character itself. A big bully with salty intentions.

I adored the use of lighting through out, as the only light source is either natural light during daytime or candle lit lanterns, which cast many shadows that adds to the unease. There’s some gorgeous looking cinematography on display here. Seriously, even as am writing this right now I can memorize every single frame of this strange nightmare of a film. Absolutely breathtaking.

While the movie is mainly horror, but there is comedy sprinkled throughout that was actually pretty hilarious. Everything from Dafoe farting and some creative insults the characters would often spit at each other, which would later expand into long monologues that I sat back and watch in awe with a stupid grin on my face, because how something so silly can be so poetic. Never have I seen a movie that perfectly balances more than one genre so fluently. You can laugh at the moments where it’s suppose to be funny, but also take it seriously whenever it’s suppose to be taken seriously, which is sometimes all in one scene. The writing from Eggers is so excellent.

After only one viewing there was a lot I could easily dissect in terms of interpretation. There's masculinity and Greek mythology imagery that demonstrates a striking sense of power. There’s also a certain idea of sexuality being a sacred thing and the frustration it may bring. Or maybe it’s just a simple story about two guys on a rock getting drunk and then getting even drunker while holding each other until they drift off to sleep.

Overall rating: One of the best looking horror comedies of 2019.
I was worried that my enormously high expectations for 'The Lighthouse' would set me up for inevitable disappointment, but to my relief and awe, it somehow exceeded them. This is an extraordinary, baffling, hypnotic, maddening, hilarious, disturbing, disorienting, arousing, absolute mindfuck of a film, drenched in mud and sweat and salt and booze and shit and semen and piss and blood, primal screams of rage and terror, the laughter of madmen and the sobs of the damned, the cry of seabirds and the roar of the sea and the cataclysm of gods and men at war. It haunts you long after it is over, swills in your mind like an aged whisky, and in the days since seeing it, I can't tell you how desperately I want to dive back in again. After delivering arguably the greatest horror film so far this century, Robert Eggers has created another insane American masterpiece, the kind of film dreams and nightmares are made of. It was worth every single second of the wait.
- Daniel Lammin

Read Daniel's full article...
https://www.maketheswitch.com.au/article/review-the-lighthouse-robert-eggers-delivers-another-staggering-american-classic
_**A superbly made film about madness, isolation, alcohol, a pissed off one-eyed seagull, and farts**_

>_But, as we near'd the lonely Isle;_

>_And look'd up at the naked height;_

>_And saw the lighthouse towering white,_

>_With blinded lantern, that all night_

>_Had never shot a spark_

>_Of comfort through the dark,_

>_So ghastly in the cold sunlight_

>_It seem'd, that we were struck the while_

>_With wonder all too dread for words._

- Wilfrid Wilson Gibson; "Flannan Isle" (1912)

> _Lighthouses are endlessly suggestive signifiers of both human isolation and our_ _ultimate connectedness to each other._

- Virginia Woolf; _To the Lighthouse_ (1927)

> _The isolation spins its mysterious cocoon, focusing the mind on one place, one time, one rhythm – the turning of the light. The island knows no other human voices, no other footprints. On the Offshore Lights you can live any story you want to tell yourself, and no one will say you're wrong: not the seagulls, not the prisms, not the wind._

- M.L. Stedman; _The Light Between Oceans_ (2012)

A manic fever dream fusing Greek mythology, Jungian psychology, and German Expressionism with Herman Melville and H.P. Lovecraft, by way of George Kuchar, Mike Kuchar, and Guy Maddin, _The Lighthouse_ is about isolation, insanity, competitive masculinity, alcoholism, and farting. The second film from writer/director Robert Eggers, who exploded onto the scene with the masterful _The VVitch: A New England Folktale_ (2015), _The Lighthouse_ was co-written with his brother, Max Eggers, and is very loosely based on the "Smalls Lighthouse Tragedy" (1801), in which one of the two assigned keepers died, and it was over four months before relief could be sent. By the time someone did land, the still-living keeper had been driven completely insane. A bizarre film in just about every way, from its glorious visual and aural design to its grandiose acting to its jet black humour to its wonderful ambiguity to its avenging angels/seagulls, if you thought _The VVitch_ was somewhat inaccessible, then you'll most likely despise every second of _The Lighthouse_, insofar as its subtlety, slow pace, and narrative abstruseness will surely frustrate those who prefer their horror in the mould of jump-scares and chainsaw-wielding escaped mental patients. However, if you favour the cerebral, difficult-to-define, and always slightly off-camera terror that was the foundational principal of _The VVitch_ and films such as Daniel Myrick and Eduardo Sánchez's _The Blair Witch Project_ (1999), Jennifer Kent's _The Babadook_ (2014), and Emma Tammi's _The Wind_ (2018), or if you enjoy the oppressive dread of classic German Expressionist films such as Robert Wiene's _Das Cabinet des Dr. Caligari_ (1920), Fritz Lang's _Der müde Tod: ein deutsches volkslied in 6 versen_ (1921), and F.W. Murnau's _Nosferatu, eine Symphonie des Grauens_ (1922), then you'll find much here to appreciate.

In the late 1890s, Ephraim Winslow (Robert Pattinson) and Thomas Wake (Willem Dafoe) arrive on an outcropping off the coast of New England to begin their four-week rotation manning the lighthouse. Bombastic, spirited, and flatulent, Wake is a veteran – a former sailor who's been a wickie for the last fifteen years. Withdrawn and taciturn, Winslow is new to the job, having previously worked as a logger in Canada. Wake assigns Winslow the menial tasks – cleaning the floors, emptying the chamber pots, carrying kerosene containers, repairing the exteriors, oiling the gears in the basement – whilst he himself attends to the Fresnel lens, telling Winslow that he is never, ever to approach it, and not to concern himself with its maintenance. And so things go for a while. However, soon enough, Winslow begins to have strange experiences – a one-eyed seagull starts pestering him; he has visions of a mermaid washing up on the shore; he thinks he sees Wake standing in front of the light, completely naked; he has dreams of erotic tentacles; he has a vision of Wake as a barnacle-encrusted titan; he imagines wading out into the water amidst hundreds of logs, which close over top of him and drown him. Although he's unnerved, the four weeks pass without too much incident, but on the night before their relief is due, the wind suddenly changes, and the island is hit by a violent storm. The following morning, their ferry doesn't arrive, and with no way of contacting the mainland, the duo attempt to pass the time attending to their duties, whilst their drinking becomes ever more excessive, their loathing of one another ever more pronounced, and their hold on sanity ever more tenuous.

The first thing that jumps out at you in _The Lighthouse_ is the aesthetic. _The VVitch_ was a good-looking movie, no doubt, but _The Lighthouse_ is a rarefied masterclass in visual and aural design. Opening with the old monochrome Universal logo, the importance of Damian Volpe's incredible sound design is indicated immediately, as before we see anything, we hear the wind blowing and a foghorn rumbling in the distance. That horn is omnipresent throughout the film, and to say it gets under your skin is an understatement. You know the siren from the _Silent Hill_ games that sounds right before the town transitions from the Real World to the Otherworld? Well, imagine that sound bellowing out every minute or so for an entire film. It's unsettling, it's disturbing, and it makes it impossible to ever really acclimate yourself to this strange _milieu_. There's only one sequence in which we don't hear the foghorn, the pivotal opening scene of the third act, and the silence is oppressive – it's one of those instances where you don't realise how loud something was until it suddenly goes quiet and you're left with a ringing in your ears.

The sound design is matched by the stunning monochrome visuals. Working with cinematographer Jarin Blaschke, who also photographed _The VVitch_, Eggers shot _The Lighthouse_ on 35mm black & white Eastman Double-X 5222 celluloid in the relatively unheard format of 1.19:1. Usually, if a filmmaker shoots in a non-widescreen format, they use Academy ratio (1.37:1), as seen in films such as David Lowery's _A Ghost Story_ (2017), Paul Schrader's _First Reformed_ (2017), and Jennifer Kent's _The Nightingale_ (2018). On the other hand, the use of 1.19:1 (sometimes called Movietone) is extremely rare, especially in modern films, and for good reason – it was a transitional format that was only used briefly during the shift from silent cinema to sound (1926-1932). And that is exactly why Eggers and Blaschke chose it. Yes, they do match form to content insofar as the nearly square format traps the characters within the frame to an even greater degree than 1.37:1 would have, thus enhancing the already oppressive claustrophobia of the lighthouse itself. But where the genius in choosing this format really comes to light is when one considers to what the film aspires. This is a folktale, a fable from a by-gone age, so what better way to present that fable than by replicating the way the film would have looked had it been made during the early years of sound filmmaking? At the same time, although shot with modern cameras, Blaschke used period-specific Baltar lenses and an off-cyan filter custom-made by Schneider Filters to more accurately emulate the look of late 19th-century photography. Taken together, the black & white images, the square frame, the lens design, the patina, and the haunting sound design all work in glorious tandem to create the sense that the film is a disturbing artefact, an antique vestige from a different era, into whose very DNA dread has burrowed.

One also has to praise Craig Lathrop's production design. The lighthouse used in the film wasn't an existing structure, but was custom-built to scale on Cape Forchu, an outcropping off the coast of Nova Scotia. However, you'd never know it. Most of the interiors were shot on soundstages, but all exteriors were shot on Forchu. And Lathrop has imbued every inch of the building, both inside and out, with an existentialist dread – from the industrial hell of the gears in the basement to the almost Eden like peace of the lantern room high above, from the cramped and crude bedroom to the squalid kitchen. Malevolence stalks every nook and cranny.

Eggers also does something interesting with the narrative itself. I've seen some critics refer to Winslow and Wake as unreliable narrators, and whilst such critics are on the right track, to call the characters narrators is, in strict narratological terms, inaccurate. Both characters are, in fact, focalisers, to use the term coined by Gérard Genette – the world is filtered entirely through their perspective, but they don't narrate. Indeed, although we shift from one character to the other, meaning there is a narrative presence at the extradigetic level, Eggers never leaves their perspective, nor does he present any kind of omniscient or overt heterodiegetic narration; we're imprisoned within their perspective for the duration of the film. Also important here is the use of what Seymour Chatman refers to as "fallible focalisation" (he actually uses the term "fallible filtration", but filtration and focalisation are the same thing). The story is one of madness, and it's abundantly clear from early on that neither man is a reliable witness, so everything filtered through their perspective (i.e. the whole film) could be tainted or unreliable (which is why critics erroneously refer to the duo as unreliable narrators). As things begin to fall apart, this sense becomes ever more prevalent – for example, in an important scene near the end, we see Wake do something, and in the next scene, when Winslow confronts him about it, a confused Wake points out it was actually Winslow who did it. Is Wake lying? Is Winslow projecting his own actions onto his companion? Who exactly is misleading who here? And if there's madness in this tale, where does it land – Winslow, Wake, the audience, or all three of us? It's a wonderful use of a defamiliarising technique which works to keep the audience constantly on edge and constantly second-guessing everything they see insofar as we know that some, none, or all of it could be the figment of a failing mind.

The dialogue is also beautifully written. Whereas in _The VVitch_, Eggers used pre-colonial Early Modern English lifted from court transcripts of actual witch trials, here he doesn't take the dialogue from anywhere specifically, but there's an obvious debt to writers such as Sarah Orne Jewett, who often wrote about whalers working off the southern Maine coast. Winslow's accent is based on a Maine farming dialect, while Wake's is based on that of Atlantic fishermen, and although their idiolects are more recognisable to our modern ears than those used in _The VVitch_, inflections and sentence structure ensure we never forget this is a tale of the past – for example, Wake declares, "_I'm a wickie, and a wickie I is_" and during an argument about his cooking, he asks Winslow, "_Ye is fond of me lobster ain't ye?_" And needless to say, the acting is immense, with both men turning in career-best work. Whilst Pattinson slowly morphs from a docile and subservient worker into something more assertive, aggressive, and altogether more sinister, Dafoe goes as big as he can, in a performance that wouldn't be out of place in classic German Expressionism.

The film's storyline is slight enough as to suggest several themes without really going too heavily into any of them. For example, one could certainly read Winslow and Wake's relationship as homoerotic, maybe a study of the suppression of desire. Paranoia is also never far from the surface, nor is the societal construct of masculinity, particularly as manifested in competitiveness, with Eggers mocking male bravado and posturing. Another reading would be that the film is an allegory for class struggle _á la_ J.G. Ballard's _High Rise_ (1975) – the lighthouse represents society; the lantern room high above is the upper class, with Wake doggedly protecting the room, literally locking Winslow out; meanwhile, the bowels of the lighthouse is the working class, with Winslow spending much of the film performing menial tasks assigned him by Wake. Alcoholism is also omnipresent – from Wake telling Winslow that "_boredom makes men into villains_", and that alcohol is the only medicine for it, to the duo progressively drinking more and more each night, until they run out of rum, and so try to mix turpentine and honey, so dependent have they become on the numbing effects of drink.

_The Lighthouse_ definitely isn't for everyone. It's challenging and rewarding in equal measure, but it does ask much of the audience, with meaning to be found between the lines, rather than within them. Eggers does some of the legwork, but he still leaves the audience with a distance to go. Personally, I loved every crazy minute of it – whether it be the rising sense of dread, the unrelenting tension, the oppressive suspense, the fierce battle of wills, the consuming paranoia, the descent into insanity etc. There's a lot that has gone into making this film what it is, both in terms of crafting the folkloric story and in the more mechanical sense of putting the finished film together – it's an aesthetic marvel in pretty much every way. Thick with mood and atmosphere, _The Lighthouse_ proves that _The VVitch_ was no fluke.
Continue reading [Watch] The Lighthouse Movie on Netflix 2019

[Watch] Ex Machina Movie on Netflix 2015


[Watch] Ex Machina Movie on Netflix 2015









Ex Machina 2015-rhythm-planets-alwyn-2015-previews-Ex Machina-kroll-powers-uncut-DTS-sorcery-uprising-kri-2015-sequence-Ex Machina-robb-Full Movie-extremity-site-acrimony-2015-kin-Ex Machina-2.3-disney-2015-WEBrip-casual-drugs-opposed-2015-hannibal-Ex Machina-bonham-M1V-season-corden-unscripted-2015-2000-Ex Machina-film-Google Play.jpg



[Watch] Ex Machina Movie on Netflix 2015




Filmteam

Coordination art Department : Baker Trisha

Stunt coordinator : Pyrard Sylia

Script layout :Helène Caydn

Pictures : Elanya Vasseur
Co-Produzent : Prisha Asselin

Executive producer : Natacha Isée

Director of supervisory art : Navroop Negra

Produce : Pelland Stein

Manufacturer : Nynette Diar

Actress : Vinot Amarise



Caleb, a 26 year old coder at the world's largest internet company, wins a competition to spend a week at a private mountain retreat belonging to Nathan, the reclusive CEO of the company. But when Caleb arrives at the remote location he finds that he will have to participate in a strange and fascinating experiment in which he must interact with the world's first true artificial intelligence, housed in the body of a beautiful robot girl.

7.6
9111






Movie Title

Ex Machina

Hour

159 minute

Release

2015-01-16

Kuality

MPEG-2 1440p
HDTS

Categorie

Drama, Science Fiction

speech

English

castname

Darien
E.
Cocéa, Caiden S. Louanne, Shahara Z. Humbert





[HD] [Watch] Ex Machina Movie on Netflix 2015



Film kurz

Spent : $855,939,735

Revenue : $444,918,148

categories : Hysterisch - Skepsis , Toleranz - Monster , Verrat - Soundtrack , Autobiografie - Poetry

Production Country : Bolivien

Production : Stil Prodüksiyon



When you think you have seen everything about AI movies, Ex Machina arrives and gives a very nice perspective on the matter.

The movie goes quick, not many things happen but they are clever, very well thought. The story is more focused in the moral problems of the human main character rather than in the awe of the creation nor the existencial problem of the AI.

The cast is all great, from Vikander to Mizuno, Glee and great Oscar Isaac.

A real must to watch if you are into the topic.
**Enjoyable, satisfying sci-fi**

Kinda smutty, kinda creepy, kinda evil, thoroughly enjoying.

OK, there's nothing mind shattering but still good fun and a nice pay off imho.

For those complaining it was predictable - if you want something you CANNOT ever predict go watch Predestination https://www.themoviedb.org/movie/206487-predestination

Something about it hit the right chords for me, modern, start up, big loud talker, sad lonely guy.... I've seen lots of those geeks turned CEO's and they don't know what they've become.

Actually more to be said about the Nathan character than the rest.

Definitely worth a watch if you like dark humour and sci-fi.
Isn't it strange, to create something that hates you?

Ex Machina is written and directed by Alex Garland. It stars Domhnall Gleeson, Alicia Vikander, Oscar Isaac and Sonoya Mizuno. Music is by Geoff Barrow and Ben Salisbury and cinematography by Rob Hardy.

A young programmer is thrilled to be selected to participate in a ground-breaking experiment involving synthetic intelligence. He's to evaluate the human qualities of a highly advanced humanoid Artificial Intelligence known as Ava...

Your nutshell review is that it's a cautionary tale of science going too far, where the narrative thrust of a Turin Test becomes something far darker and troubling. This is a deliberately slow paced sci-fier, told out of a remote reinforced science institute populated by just one human and some A.I. creations. Enter Caleb (Gleeson), who doubles the human quotient and kicks starts what is a cunningly sexy, troubling and potent picture.

As we are drawn into this most fascinating world, we are requested to pose ourselves the deeper questions about being human, for better or worse. This is nothing new, this has been explored in many other sci-fi pictures, but the intensity of the set-up, the performance of the actors in this intimate surround, for sure engage the patiently interested.

The ending is plain daft, even irresponsible when one considers how much thought has gone into the story previously, but mostly this is a genre piece of considerable worth. 8/10
Continue reading [Watch] Ex Machina Movie on Netflix 2015