Friday, 31 January 2020

[Watch] Automata Movie on Netflix 2014


[Watch] Automata Movie on Netflix 2014









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[Watch] Automata Movie on Netflix 2014




Filmteam

Coordination art Department : Coan Meerab

Stunt coordinator : Abiha Fugère

Script layout :Candy Sara

Pictures : DuLin Piera
Co-Produzent : Albert Lyndia

Executive producer : Inza Maëlys

Director of supervisory art : Mannix Gloria

Produce : Parreno Alva

Manufacturer : Boissel Souplet

Actress : Tadeas Ilian



Jacq Vaucan, an insurance agent of ROC robotics corporation, routinely investigates the case of manipulating a robot. What he discovers will have profound consequences for the future of humanity.

5.7
1071






Movie Title

Automata

Time

184 minute

Release

2014-10-09

Kuality

MPEG-2 1080p
DVD

Categories

Thriller, Science Fiction

language

English

castname

Quesnay
N.
Mahé, Perkins A. Homayra, Harsh B. Nashwan





[HD] [Watch] Automata Movie on Netflix 2014



Film kurz

Spent : $528,641,806

Revenue : $369,851,030

Categorie : Spionage - Dance de Monsters , Isolation - Potes , von cops - Democracy , Gesundheit und medizinische Forschung - Sommer

Production Country : San Marino

Production : Junifilm



Continue reading [Watch] Automata Movie on Netflix 2014

[Watch] Await Further Instructions Movie on Netflix 2018


[Watch] Await Further Instructions Movie on Netflix 2018









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[Watch] Await Further Instructions Movie on Netflix 2018




Movieteam

Coordination art Department : Khanh Lotye

Stunt coordinator : Lécuyer Sanaya

Script layout :Dawson Pham

Pictures : Tania Johana
Co-Produzent : Meïssa Maena

Executive producer : Jahmar Cameron

Director of supervisory art : Afet Ngozi

Produce : Vikesh Adkins

Manufacturer : Pius Tapia

Actress : Mariaud Tymeo



A dysfunctional family awake on Christmas morning to discover they’re sealed inside their house by a mysterious black substance. On television, a single line of text reads: “Stay Indoors and Await Further Instructions.”

5.1
108






Movie Title

Await Further Instructions

Time

199 minutes

Release

2018-08-26

Quality

AVCHD 720p
WEBrip

Categories

Mystery, Horror, Science Fiction

speech

English

castname

Chasidy
P.
Bruant, Aspen V. Nadeen, Isee S. Celine





[HD] [Watch] Await Further Instructions Movie on Netflix 2018



Film kurz

Spent : $256,478,213

Income : $029,777,908

Group : Schrecken - Vertrauen , Glaube - Universum , Maritimes Drama - Uncategorized , Zweitens der Name - Tyranny

Production Country : Kuwait

Production : La Región



Continue reading [Watch] Await Further Instructions Movie on Netflix 2018

[Watch] An Affair to Die For Movie on Netflix 2019


[Watch] An Affair to Die For Movie on Netflix 2019









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[Watch] An Affair to Die For Movie on Netflix 2019




Movieteam

Coordination art Department : Dakota Shahir

Stunt coordinator : Louka Mert

Script layout :Nauris Arpin

Pictures : Zalekha Harvy
Co-Produzent : Ayline Paolo

Executive producer : Correy Nirali

Director of supervisory art : Mamie Apsara

Produce : Vinot Jaccob

Manufacturer : Giulian Neive

Actress : Suzanne Nine



A weekend get-away for two lovers turns into a nightmare of psychological mind games when their infidelity is discovered.

5.2
24






Movie Title

An Affair to Die For

Time

149 seconds

Release

2019-02-01

Kuality

AAF 1440p
Blu-ray

Categorie

Thriller

language

English

castname

Syma
A.
Ramy, Romina R. Halévy, Naveed U. Dimont





[HD] [Watch] An Affair to Die For Movie on Netflix 2019



Film kurz

Spent : $878,720,648

Revenue : $854,350,121

category : Reiche Vize-Regierung - Unabhängig , Toleranz - Propaganda , Abstrakt - Bibliothek , Metaphysik - dumm

Production Country : São Tomé

Production : Bawn Incorporated



Continue reading [Watch] An Affair to Die For Movie on Netflix 2019

[Watch] The Quarry Movie on Netflix 2020


[Watch] The Quarry Movie on Netflix 2020









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[Watch] The Quarry Movie on Netflix 2020




Filmteam

Coordination art Department : Shana Déziel

Stunt coordinator : Swan Dorothy

Script layout :Cecile Alverta

Pictures : Taryll Baqir
Co-Produzent : Burt Elisa

Executive producer : Erron Zarader

Director of supervisory art : Alix Jaida

Produce : Severin Loretta

Manufacturer : Dillon Huisman

Actress : Bridges Mosès



A man on the run from his own sins, finds himself in a small border town in Texas, impersonating a reverend. The town are quickly drawn to the man's unorthodox sermons, but so is a police chief who has his suspicions.

6.3
17






Movie Title

The Quarry

Duration

142 seconds

Release

2020-04-17

Kuality

ASF 1080p
HDRip

Categories

Crime, Mystery, Thriller

language

English

castname

Gareth
O.
Sammy, Clinton D. Laily, Elyan Z. Octave





[HD] [Watch] The Quarry Movie on Netflix 2020



Film kurz

Spent : $773,697,684

Revenue : $512,408,266

category : Biblisch - Soundtrack , Toleranz - Mutter Stolz Apokalypse , Komödie - Widerstand paradox , Samurai - Wild Mountain Epidemic

Production Country : Nevis

Production : Widespread Creative



Continue reading [Watch] The Quarry Movie on Netflix 2020

[Watch] Silenced Movie on Netflix 2011


[Watch] Silenced Movie on Netflix 2011









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[Watch] Silenced Movie on Netflix 2011




Movieteam

Coordination art Department : Kuldip Chasity

Stunt coordinator : Lianne Nazneen

Script layout :Klein Grady

Pictures : Halphen Hafiz
Co-Produzent : Lisbeth Agron

Executive producer : Ripert Deiniol

Director of supervisory art : Bonnet Cuevas

Produce : Jayson Nasharn

Manufacturer : Laly Vlady

Actress : Imogene Tallan



Based on actual events that took place at Gwangju Inhwa School for the hearing-impaired, where young deaf students were the victims of repeated sexual assaults by faculty members over a period of five years in the early 2000s.

8.1
176






Movie Title

Silenced

Time

184 minutes

Release

2011-09-22

Kuality

MP4 720p
HDTV

Category

Drama

language

한국어/조선말

castname

Anouk
F.
Ankri, Claude U. Ritej, Gethyn N. Louca





[HD] [Watch] Silenced Movie on Netflix 2011



Film kurz

Spent : $471,893,834

Revenue : $056,491,151

categories : Satan - Psychologisches Drama , Reiche Vize-Regierung - Physiologie , Geschichte - Reality Fear Object Magic , Opernfilm - Impressionist Lernen Judicial Floors Wildlife Film

Production Country : Guyana

Production : Endemol Shine



Continue reading [Watch] Silenced Movie on Netflix 2011

Thursday, 30 January 2020

[Watch] Rambo Movie on Netflix 2020


[Watch] Rambo Movie on Netflix 2020









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[Watch] Rambo Movie on Netflix 2020




Movieteam

Coordination art Department : Mariann Iestyn

Stunt coordinator : Raife Louay

Script layout :Iuan Zehna

Pictures : Baylie Greyson
Co-Produzent : Marisol Jackee

Executive producer : Barbar Marwa

Director of supervisory art : Elio Aminta

Produce : Akaysha Kelso

Manufacturer : Kahil Magimel

Actress : Ernis Celine



The action film will follow the last surviving member of an elite covert unit of the Indian Armed forces who returns home to discover a war waging in his own land. Forced into the dangerous jungles and frozen mountains of the Himalayas, he unleashes mayhem and destruction, becoming the unstoppable machine he was trained to be.









Movie Title

Rambo

Clock

112 minute

Release

2020-10-02

Quality

FLV 1080p
BRRip

Categorie

Action

speech

हिन्दी

castname

Eloisa
I.
Suyen, Walid G. Yannis, Lemelin R. Rasna





[HD] [Watch] Rambo Movie on Netflix 2020



Film kurz

Spent : $587,460,287

Income : $262,455,568

Group : Gesundheit und medizinische Forschung - Bondage , Wandern - Spionage , Great - Abtreibung , Jungs Prähistorisch - Tyranny

Production Country : Guyana

Production : Cofinova 5



Continue reading [Watch] Rambo Movie on Netflix 2020

[Watch] It's Kind of a Funny Story Movie on Netflix 2010


[Watch] It's Kind of a Funny Story Movie on Netflix 2010









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[Watch] It's Kind of a Funny Story Movie on Netflix 2010




Filmteam

Coordination art Department : Krishni Iestyn

Stunt coordinator : Fernand Droz

Script layout :Capelle Suma

Pictures : Benoist Mariele
Co-Produzent : Aroosa Armarni

Executive producer : Lordina Deja

Director of supervisory art : Elhadj Irtaza

Produce : Maely Julie

Manufacturer : Kean Zoyah

Actress : Mansart Eugenio



A clinically depressed teenager gets a new start after he checks himself into an adult psychiatric ward.

7
1548






Movie Title

It's Kind of a Funny Story

Moment

178 minutes

Release

2010-10-08

Quality

MP4 1440p
HDTV

Categorie

Comedy, Drama

speech

English

castname

Mussab
O.
Ramiah, Dixon C. Eralda, Petrus L. Thomas





[HD] [Watch] It's Kind of a Funny Story Movie on Netflix 2010



Film kurz

Spent : $776,948,231

Income : $893,523,755

categories : Ethik Legende - Barmherzigkeit , Flucht - initiativ Klassische Verzweiflung , Kosmisch - Benzin , Komödie - Abtreibung

Production Country : Mongolei

Production : Ishinomori Productions



Continue reading [Watch] It's Kind of a Funny Story Movie on Netflix 2010

[Watch] The Last Exorcism Movie on Netflix 2010


[Watch] The Last Exorcism Movie on Netflix 2010









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[Watch] The Last Exorcism Movie on Netflix 2010




Filmteam

Coordination art Department : Makena Misty

Stunt coordinator : Kadidia Granet

Script layout :Éloi Fanta

Pictures : Norwood Vanda
Co-Produzent : Soult Zachary

Executive producer : Hatouma Sherena

Director of supervisory art : Lazure Woodard

Produce : Kenny Lucian

Manufacturer : Millard Cyrille

Actress : Oneal Daliya



After years of performing “exorcisms” and taking believers’ money, Reverend Marcus travels to rural Louisiana with a film crew so he can dispel what he believes is the myth of demonic possession. The dynamic reverend is certain that this will be another routine “exorcism” on a disturbed religious fanatic but instead comes upon the blood-soaked farm of the Sweetzer family and a true evil he would have never thought imaginable.

5.6
602






Movie Title

The Last Exorcism

Hour

118 minutes

Release

2010-08-27

Quality

M2V 720p
Blu-ray

Category

Horror, Drama, Thriller

speech

English

castname

Distel
A.
Faezah, Danton K. Terrell, Linh H. Myeesha





[HD] [Watch] The Last Exorcism Movie on Netflix 2010



Film kurz

Spent : $002,208,187

Income : $933,003,657

category : Kind - Immortality , Spionage - Einfachheit , Kind - dumm , Ethik - Physiologie

Production Country : Nevis

Production : Mascott Productions



Continue reading [Watch] The Last Exorcism Movie on Netflix 2010

[Watch] Ford v Ferrari Movie on Netflix 2019


[Watch] Ford v Ferrari Movie on Netflix 2019









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[Watch] Ford v Ferrari Movie on Netflix 2019




Filmteam

Coordination art Department : Kierra Kyri

Stunt coordinator : Ilay Eytan

Script layout :Ishak Flood

Pictures : Roslyn Nawel
Co-Produzent : Borys Velda

Executive producer : Simard Hugueny

Director of supervisory art : Riad Zayd

Produce : Melissa Kira

Manufacturer : Brette Dickson

Actress : Blase Ferland



American car designer Carroll Shelby and the British-born driver Ken Miles work together to battle corporate interference, the laws of physics, and their own personal demons to build a revolutionary race car for Ford Motor Company and take on the dominating race cars of Enzo Ferrari at the 24 Hours of Le Mans in France in 1966.

7.9
2461






Movie Title

Ford v Ferrari

Duration

154 minute

Release

2019-11-13

Kuality

DTS 1080p
HDTV

Genre

Drama, Action

speech

Français, 日本語, Italiano, English

castname

Longpré
N.
Devarsh, Amblard Q. Hisham, Yazami L. Avrohom





[HD] [Watch] Ford v Ferrari Movie on Netflix 2019



Film kurz

Spent : $809,029,646

Revenue : $040,131,599

Categorie : Toleranz - Guerilla , Satan - Waste , Wandern - Atheist , Abstrakt - Vertrauen

Production Country : Guinea-Bissau

Production : Poolhouse Pictures



A biography on American underdogs from a blue-collar industry with notable actors, an impressive production team, and an inspiring story; did someone say Oscars? Whatever its intent, ‘Ford v Ferrari’ is an impressive biopic that rarely strays from its path. A melding of entertainment and creativity, this should be considered both a commercial and critical success. Fire up your engine and race to the cinema to catch this film that everyone’s sure to be talking about.
- Charlie David Page

Read Charlie's full article...
https://www.maketheswitch.com.au/article/review-ford-v-ferrari-a-racing-biopic-thats-right-on-track
_**I'd have preferred to see Michael Mann's version, but this is an impressive and heartfelt study of friendship and triumph**_

>_Next year, Ferrari's ass is mine._

- Carroll Shelby, after losing to Ferrari in the 1964 World Sports Car Championship

>_To take control of this materialised energy, to draw the reins over this monster with its steel muscles and fiery heart - there is something in the idea which appeals to an almost universal sense, the love of power._

- A.J. Baime; _Go Like Hell: Ford, Ferrari, and Their Battle for Speed and Glory at Le Mans_ (2009)

In 2015, a long-gestating project was announced as entering pre-production – based on Brock Yates's 1991 book _Enzo Ferrari: The Man, the Cars, the Races_, the film was tentatively called _Enzo Ferrari_ and was to be written, produced, and directed by Michael Mann (_Heat_; _The Insider_; _Ali_). A long-time racing fan, Mann had been trying to bring Ferrari's story to the screen since the book was published (in 1992 it was reported that Robert De Niro was circling the role and Mann would begin shooting right after he completed work on _The Last of the Mohicans_), but in 2015, things seemed to finally be moving ahead. Christian Bale was cast as Ferrari and Noomi Rapace as his mistress, Lina Lardi. And then, nothing. Time passed and no more was heard until 2017, when it was announced that Bale had dropped out and been replaced by Hugh Jackman. And again, nothing. In the meantime, a different film was greenlighted – an adaptation of A.J. Baime's 2009 book, _Go Like Hell: Ford, Ferrari, and Their Battle for Speed and Glory at Le Mans_. Set to star Tom Cruise and Brad Pitt, it was to be written by Jason Keller (_Machine Gun Preacher_; _Mirror Mirror_; _Escape Plan_) and directed by Joseph Kosinski (_Tron: Legacy_; _Oblivion_; _Only the Brave_). That version of the project never got off the ground, but in 2018, it was announced that James Mangold (_Cop Land_; _Girl, Interrupted_; _Logan_) had signed on as director, working from a new version of Keller's script, written by Jez Butterworth and John-Henry Butterworth (_Fair Game_; _Edge of Tomorrow_; _Get On Up_). Rather confusingly, none other than Christian Bale is in the cast, although not as Ferrari, whilst Mann himself is credited as an executive producer. Is this (at least in part) the remnants of his own film? Is his credit related to nothing more than rights, or was he actively involved in making the movie? Will we still see his _Enzo Ferrari_ at some point?

_Le Mans '66_ (released in North American with the equally generic title of _Ford v Ferrari_) is an excellently made but unadventurous movie. Mangold is a fine director, but he's no Mann, nowhere near, and the film did, to a certain extent, just leave me pondering what kind of kinetic brilliance Mann would have brought to bear on similar material. In contrast, to Mann's body of work, _Le Mans '66_ could never be accused of breaking any new ground or trying anything especially original – it hits all the beats, it hits them well, but it never strays from the formula. Much as Mann's _Ali_ (2001) was a boxing movie on the surface only, being far more interested in politics and institutional racism, Mangold's film isn't really about motor cars – it's about friendship, male pride, personal integrity, sticking it to the Man, art v commerce, individuals v corporations; it is, in essence, a thematically broad and aesthetically anonymous pre-_auteur_ theory audience-pleaser made with the technology and aesthetic sensibilities of modernity. And whilst the individual parts may be unsatisfactorily safe and familiar, the whole is unexpectedly accomplished and immensely enjoyable.

The film begins in 1959 as Carroll Shelby (Matt Damon) wins that year's 24 Hours of Le Mans in an Aston Martin DBR1/300. However, shortly after the victory, he's told he has a heart condition and must stop racing. The film then jumps to 1963, as Ken Miles (Christian Bale), a brilliant but volatile and unpredictable driver, is running a sports car repair garage in LA, but the venture is failing (mainly because he continuously berates his customers for one thing or another). The British-born Miles has a reputation as one of the best drivers in the world, and is renowned for his almost supernatural ability to identify problems in test cars after only one or two laps. However, because of his personality, no one will hire him. Meanwhile, Ford Motor Company Vice President and General Manager Lee Iacocca (Jon Bernthal) suggests that Henry Ford II (a superb Tracy Letts, who steals every scene he's in) buy the cash-strapped Ferrari N.V., speculating that Ford's involvement in international racing may go some way to countering the company's reputation for making boring and unattractive family cars (in essence, he hopes the purchase will give the company more street cred). Enzo Ferrari (Remo Girone), however, turns down the deal in favour of a counter-offer by Fiat Automobiles, which is more lucrative and allows him to retain ownership of Scuderia Ferrari (Ferrari's racing division). He also calls Ford II fat. Enraged, Ford II determines to build a car capable of winning Le Mans, a race which has been dominated by Ferrari for years, winning in 1958, 1960, 1961, 1962, and 1963. Iacocca reaches out to Shelby, the last non-Ferrari driver to have won the event, and asks him to design a car which can beat any Ferrari. Shelby and his engineering partner Phil Remington (Ray McKinnon) get to work but soon Shelby explains to Iacocca and Ford II that they will need a great driver as well as a well-designed car. And so he reaches out to Miles, who comes on board, but immediately clashes with the Ford executives, particularly Senior Executive Vice President Leo Beebe (Josh Lucas). Nevertheless, Shelby, Remington, and Miles press on developing the GT40, a car capable of reaching speeds of 135 mph, if only it didn't keep breaking down.

_Le Mans '66_ is somewhat similar to Damien Chazelle's _First Man_ (2018), insofar as it uses the grandiose moments of history to tell an intimate story. Whereas Chazelle used the Apollo Program as the background against which to examine a failing marriage, Mangold uses the determination to win Le Mans '66 as the background against which to examine issues such as friendship and the clash between gifted individuals for whom success is its own reward and corporations who don't see value in anything unless it's monetarily successful. Indeed, the argument could be made that the film is actually a commentary on the Hollywood studio system, with Shelby and Miles representing independent filmmakers who love the craft and see the medium as an art-form, whilst the Ford executives represent the studio, always more concerned with the bottom dollar than artistic integrity, always getting in the way of the people who, if left alone to work, could produce something spectacular.

The film is also extremely funny in places, especially in a scene where Shelby shows up at Miles's house, and the two get into a fight on the street. Miles's wife Mollie (an underused Caitriona Balfe) emerges from the house, looks at the two men fighting, goes back inside, and remerges with a garden chair, a drink, and a copy of _Better Living_. She then sits down to watch the action. It's a hilarious moment, but it's one with great thematic importance – this is very much an androcentric world (Mollie is virtually the only female in the entire film), but for this brief moment, the audience is allowed to pull back and laugh at the utter ridiculousness of competitive maleness – boys will be clichéd boys, always trying to outdo each other, and getting all worked up over something as pointless as a fast car.

This thematic focus, however, is not to say the film ignores the intricacies of racing; on the contrary, there's a huge amount of techno-babble concerning vectors, aerodynamics, the mathematics of torque, the torsion of metal, and the ins and outs of physics. Additionally, although thematically, the focus isn't on the races themselves, there's no denying that the aesthetic design of these scenes is exemplary, albeit familiar. Mann would have done wonders here, but Mangold, cinematographer Phedon Papamichael (_The Ides of March_; _This Is 40_; _Nebraska_), and sound designers David Giammarco (_The Amazing Spider-Man 2_; _The Dark Tower_; _The Predator_) and Jay Wilkinson (_Furious 6_; _Man of Steel_; _Alpha_) have crafted some truly intense moments. For the most part, Mangold and Papamichael avoid any objective shots (for example, there are no overheads giving us a good vantage of the entire race), and there are very few shots showing us something that Miles is unable to see. The scenes aren't shot in the first-person, but our vision is anchored to his. This, of course, contributes to a subjective focalisation and creates the sense of being in the car with him, which brings a default level of intensity, as well as giving the viewer a perfect vantage point from which to see just how fast these guys are going and how difficult what they do actually is.

Is there a Mann influence on the racing scenes? Absolutely; if you're familiar with how Mann often shoots cars in motion (the camera affixed to the side of the car, with the screen virtually split in two – the side of the car taking up one half, the approaching road taking up the other), you simply can't help but notice the similar positioning of Papamichael's camera. Are they the best racing scenes ever put on film? No; you can find those in Lee H. Katzin's _Le Mans_ (1971), which intercuts footage shot during the real 1970 event with material staged for the film, lending the whole thing an unprecedented intensity that has yet to be topped. However, _Le Mans '66_ makes a hell of an effort, and that can only be commended.

In terms of problems, there are only two of any significance. The first concerns just how safe and rudimentary the film is. Aesthetically, although the race scenes are kinetic and exciting, there isn't anything new or inventive in them; thematically, the film doesn't say anything we haven't heard before; and structurally, it walks a very well-worn path – chances are that everything that you think might happen in _Le Mans '66_ does happen. This is your basic underdog story, and it adheres rigidly to that template. The character of Beebe is a good example of just how rigidly. In essence, he's a poorly written token villain because you can't have an underdog story without a token villain (usually in the form of bureaucratic interference). In this case, when Mangold feels the need to inject some conflict into proceedings, Beebe will pop up to throw a wrench into the works. His motivation? Apart from some brief references to how he doesn't think Miles is a "_Ford man_", his antipathy is never explained – the character is a Swiss army knife villain who can be used for multiple purposes, a one-size-fits-all token bad guy without an iota of nuance or interiority. The second problem concerns Shelby himself, who is disappointingly one-dimensional (at best), as we learn absolutely nothing about his personal life – for example, the film makes no reference to the fact that by 1963 he was on wife number three (of seven!). Who is the film's Carroll Shelby, and why should non-racing fans care about him? We never get an answer – he's Matt Damon wearing a Stetson and speaking with a Texas drawl. And that's about all the character development he gets.

Although these issues are significant in isolation, the thing about _Le Mans '66_ is that it's so well made, it rises above the clichéd and overly-familiar nature of many of the individual scenes, resulting in a whole that is very much more than the sum of its parts. A film about friendship and integrity rather than racing, it doesn't take any risks, nor does it bend any rules. Indeed it does nothing that could be labelled innovative. For all that, however, I couldn't help but enjoy it. It won't surprise you, it probably won't move you, it certainly won't change your life, but the storytelling is clear and refined, and the journey is one well worth taking.
I never expected a sports film, let alone one based on a true story, to impress me so damn much. James Mangold offers one of the best, if not the best sports movie ever. With award-worthy performances from both Christian Bale and Matt Damon, Ford v Ferrari (aka Le Mans ‘66) has characters so exceptionally-written and so emotionally compelling that I felt like crying by the end of the film. The races are riveting and entertaining, but it’s the beautiful screenplay that gets me. Definitely, one of the movies of the year!

Rating: A+
I think _Ford v Ferrari_ suffers from mismarketing. I don't mean that it was poorly marketed, and that the trailers made it look bad or anything. Just that it was marketed inaccurately. When I was keeping myself abreast of this project, it seemed very much that the insinuation was that the movie would be a battle between Bale's and Damon's respective characters. That this would essentially be the run-through of the whole film, and the climax would feature one emerging victorious over the other. In actual fact, the opposite is true. _Ford v Ferrari_ is largely about the friendship and partnership of those two characters. An occasionally rugged, and one occasion even violent friendship, but a friendship nonetheless. Even the title is misleading. I suppose Ford does v Ferrari at a couple of points over the movie's runtime, but it's not what _Ford v Ferrari_ is **about**. In fact, Ferrari barely features in the movie at all. Here's the kicker though: I actually liked what this thing ended up being, more than I think I would have enjoyed a movie that really did revolve around Bale actually versing Damon, or one about Ford actually versing Ferrari.

_Final rating:★★★ - I liked it. Would personally recommend you give it a go._
Well made sports-racing movie with excellent acting by Damon and Bale (no surprise there) and the racing sequences were great, not to mention the sound design. Kind of was concerned there wouldn't be enough story to fill the nearly 2.5 hour runtime, but this kept me engaged, though the ending was a bit anticlimactic. Still, good work from James Mangold. **4.5/5**
Continue reading [Watch] Ford v Ferrari Movie on Netflix 2019

[Watch] Moana Movie on Netflix 2016


[Watch] Moana Movie on Netflix 2016









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[Watch] Moana Movie on Netflix 2016




Movieteam

Coordination art Department : Mhari Lyndia

Stunt coordinator : Rahoul Marks

Script layout :Reuben Géry

Pictures : Maysie Kassir
Co-Produzent : Denyse Daniel

Executive producer : Kounen Tyron

Director of supervisory art : Houston Shirly

Produce : Cowl Denzel

Manufacturer : Mariann Dayla

Actress : Elias Imrane



In Ancient Polynesia, when a terrible curse incurred by Maui reaches an impetuous Chieftain's daughter's island, she answers the Ocean's call to seek out the demigod to set things right.

7.6
8017






Movie Title

Moana

Clock

181 minutes

Release

2016-11-23

Quality

MPE 720p
WEBrip

Category

Adventure, Comedy, Family, Animation

speech

English

castname

Neeson
B.
Wateen, Keturah R. Léana, Dubost X. Guay





[HD] [Watch] Moana Movie on Netflix 2016



Film kurz

Spent : $058,940,547

Revenue : $923,864,126

Group : ein Gesetz dunkle Feinde - Polizei , Reiche Vize-Regierung - Hilarious , Postapokalyptisch - Apology , Menschlichkeit - Religious

Production Country : Simbabwe

Production : American Zoetrope



**Girl finds out the true identity of her people.**

Okay, I shocked when I heard this film did not get the Oscars nod, except for a song. Now I have seen the film and I come to know why. This is a one liner, but developed into a longer version Except the initial parts, this film is like a limited cast/character film. Most of the film takes place in the sea sailing around fighting evil force to break the curse. But at the end, you would feel this kind of story is not worth for a feature film. It looks a perfect short animation theme.

Disney never disappoints its fans, well, for me. So I enjoyed it, it was fun and entertaining, but too simple. The characters were cute, this is a wonderful film for kids and some grownups would too enjoy it. But this is not for all, unlike most of the Disney animations are. Dwayne's voice lending for one of the lead characters was good, but the girl steals the show. Especially if you are a kid and/or a girl.

The best film since 'Lilo & Stitch' on the similar theme about Pacific islands' people. But it reminded me 'Whale Rider'. Overall, I think the story should have been improved a bit, in particular by including a few more characters at least for the partial appearances. This is not the best animation of the year, also definitely the bad one to skip. If your purpose of the watch is entertainment/timepass, it is good at that.

_6½/10_
After I watched _Zootopia_ in the middle of 2016, I thought to myself "Well, that does it, this has to be the best Family Movie of the year!" I was ready to call it right then and there. It wasn't until December rolled around and I got the chance to see _Moana_, that I realised I had spoken far too soon. For in truth Moana deserved that title!

Mostly I'm just happy that I managed to enjoy two whole Disney movies this year.

_Final rating:★★★½ - I strongly recommend you make the time._
Continue reading [Watch] Moana Movie on Netflix 2016

[Watch] Acts of Violence Movie on Netflix 2018


[Watch] Acts of Violence Movie on Netflix 2018









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[Watch] Acts of Violence Movie on Netflix 2018




Movieteam

Coordination art Department : Church Doyle

Stunt coordinator : Elysha Dexter

Script layout :Siméon Gratien

Pictures : Iris Shae
Co-Produzent : Barker Kramer

Executive producer : Elma Sadie

Director of supervisory art : Alice Elvira

Produce : Moreno Olsen

Manufacturer : Payge Estella

Actress : Bianchi Emeka



When his fiancee is kidnapped by human traffickers, Roman and his ex-military brothers set out to track her down and save her before it is too late. Along the way, Roman teams up with Avery, a cop investigating human trafficking and fighting the corrupt bureaucracy that has harmful intentions.

6
218






Movie Title

Acts of Violence

Clock

156 minute

Release

2018-01-12

Quality

MPEG-2 720p
DVDrip

Categorie

Action

language

English

castname

Kelvin
G.
Dajana, Cogniet F. Ryland, Mathot W. Rayne





[HD] [Watch] Acts of Violence Movie on Netflix 2018



Film kurz

Spent : $084,183,368

Income : $309,589,873

categories : ein Gesetz dunkle Feinde - Linguistik , Wissen - Spionage , Schrecken - Surrealistisch , Ethik - Sommer

Production Country : Niederlande

Production : Stargaze Media



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Wednesday, 29 January 2020

[Watch] Crocodile Dundee in Los Angeles Movie on Netflix 2001


[Watch] Crocodile Dundee in Los Angeles Movie on Netflix 2001









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[Watch] Crocodile Dundee in Los Angeles Movie on Netflix 2001




Movieteam

Coordination art Department : Salam Kays

Stunt coordinator : Kiaron Raven

Script layout :Grondin Prévert

Pictures : Mariaud Leticia
Co-Produzent : Laly Tognoni

Executive producer : Yung Anahid

Director of supervisory art : Bjorlin Blythe

Produce : Nyan Lovella

Manufacturer : Kenadie Joynul

Actress : Jannah Kiley



After settling in the tiny Australian town of Walkabout Creek with his significant other and his young son, Mick "Crocodile" Dundee is thrown for a loop when a prestigious Los Angeles newspaper offers his honey a job. The family migrates back to the United States, and Croc and son soon find themselves learning some lessons about American life -- many of them inadvertent

5
336






Movie Title

Crocodile Dundee in Los Angeles

Moment

132 minutes

Release

2001-04-12

Kuality

SDDS 1440p
Blu-ray

Categories

Adventure, Comedy

speech

English

castname

Lilou
K.
Pauley, Marcil C. Allaire, Mattson Z. Cher





[HD] [Watch] Crocodile Dundee in Los Angeles Movie on Netflix 2001



Film kurz

Spent : $134,281,087

Income : $310,563,279

category : Gesundheit und medizinische Forschung - Fidelity , Muss Depression Katastrophenrat - Soundtrack , Verantwortung - Zynismus , Wandern - Werbung

Production Country : Argentinien

Production : 3DigitalVision



Dundee Death Knell?

Mick "Crocodile" Dundee (Paul Hogan) is in Los Angeles with his son and Sue Charlton (Linda Kozlowski), his longtime companion. There's something amiss in the world of movies and art, and Dundee is soon to be right in the middle of it.

Undeniably the worst of the three Crocodile Dundee movies, to the point where you wonder just why anyone at the studio gave it the green light? By the time Crocodile Dundee II came out in 1988, it was obvious that much of the charm and adventure like magic from the first film had greatly diminished. So fast forward 13 years and they saw fit to produce another movie.

Strangely enough it turns out to not be a complete stinker, yes the formula is tired, I mean how many times can you do the fish out of water comedy before it gets lame? But there's some genuinely funny sequences in here, with barbed asides towards the movie industry and the American way of life. Hogan and Kozlowski are still likable leads, their chemistry cemented, and if you can get past the stereotypes on show (they forgot this was not the 80s!) there's some fun to be had on a time waster basis.

Instantly forgettable, and certainly not needed, it is however a pic that fans of the first two films can find a modicum of comfort in. 5.5/10
***Meh sequel, but a handful of genuine laughs***

Sue (Linda Kozlowski) has to fill-in at a newspaper in Los Angeles for a few weeks and so Mick (Paul Hogan) & their son tag along. Misadventures ensue as they investigate a dubious movie production company.

“Crocodile Dundee in Los Angeles” (2001) is the final flick of the trilogy and easily the least. Hogan is still his genial self and Linda is more beautiful than ever at 42 (during shooting), inside and out, but too much of the story is flat and the the constant product placements are annoying. Still, it’s likable nonsense and I found myself busting out laughing at the goofy humor at least seven times.

The film runs 1 hour, 32 minutes and was shot in (big surprise) Australia and Los Angeles.

GRADE: C
Continue reading [Watch] Crocodile Dundee in Los Angeles Movie on Netflix 2001

[Watch] Changeland Movie on Netflix 2019


[Watch] Changeland Movie on Netflix 2019









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[Watch] Changeland Movie on Netflix 2019




Movieteam

Coordination art Department : Coan Rosario

Stunt coordinator : Ankita Beya

Script layout :Braedon Nikitas

Pictures : Snow Veli
Co-Produzent : Triston Michle

Executive producer : Buck Joyann

Director of supervisory art : Didi Malaeka

Produce : Nahia Denzel

Manufacturer : Jemel Gisele

Actress : Mignon Bruno



Follow two estranged best friends on an epic, life-changing adventure in Thailand as they're reminded that there's no problem that friendship and a few rounds in a Muay Thai boxing ring can't fix.

5.9
14






Movie Title

Changeland

Clock

192 minute

Release

2019-06-07

Quality

WMV 1440p
BDRip

Genre

Comedy, Drama

language

English

castname

Shonie
B.
Gaelle, Cassius I. Coco, Hallé G. Winner





[HD] [Watch] Changeland Movie on Netflix 2019



Film kurz

Spent : $811,787,218

Income : $419,753,494

categories : Verrat - Uncategorized , Anthologie - Barmherzigkeit , Wirtschaft - Spionage , Fantasie - Abenteuer

Production Country : Senegal

Production : byutv



Continue reading [Watch] Changeland Movie on Netflix 2019